Miller’s Conceptual Art is based on transforming the mundane. From his chamber music translation of vine residue on a garage wall, to his utilization of record surface noise and his analysis and transformation of traffic patterns in Davis Square, Somerville, MA, this has been a driving force behind his ideas. The rejected is reintegrated, and the abstract is made concrete. Sometimes ideas loop with a sense of humor. At other times, they spiral around Nature’s very existence, and laugh in the face of traditional anthropocentric ideals. Civilization is both a wonderful mystery and a hoax.